Determined to succeed, Félicie finds her mentor in the tough and mysterious school custodian, Odette (Carly Rae Jepsen) who, along with Victor's encouraging friendship, help her reach for the stars.
LEAP MOVIE PROFESSIONAL
And with no professional dance training, she quickly learns that talent alone is not enough to overcome the ruthless, conniving attitudes of her fellow classmates, led by the devious Camille Le Haut (Maddie Ziegler). But - there's a catch, Félicie must pretend to be the child of a wealthy family in order to gain admittance to the prestigious and competitive Opera Ballet School in Paris. In a leap of faith, Victor and Félicie leave their orphanage in pursuit of their passions. Her best friend Victor (Nat Wolff), an imaginative but exhausting boy with a passion for creating, has a dream of his own - to become a famous inventor. But 11-year-old orphan, Félicie (Elle Fanning) has one dream - to go to Paris and become a dancer. While Leap! doesn’t take any chances, the gorgeous animation, good performances and competent script combine to create a rich and engaging film that draws in children and adults alike.Summary: 11-year-old orphan, Félicie (Elle Fanning) has one dream - to go to Paris and become a dancer. While the plot could have been adapted to any skill or sport, the love of ballet and dance are apparent in almost every aspect of the film. Most of the characters grow and have their own story arcs that come together at the end without feeling forced. Leap! is a familiar story, but it flows from point to point naturally and while it does not hold any surprises, neither is it entirely predictable. Dupont started her own prestigious ballet career at the Opera’s school, and for Leap! she provided modeling for the animation and designed the choreography. The dancing scenes are a pleasure to watch and that must in part be due to the production team including Aurelie Dupont, the current director of the real-life Paris Opera Ballet. Despite the realism the film avoids uncanny valley territory by using a more traditional animated figure style for the humans. The animation is lush and the backgrounds, especially of the nature scenes, are almost realistic in their detail. She gives the downtrodden cleaning woman a steely soul and her nuanced performance was the strongest one of the film. But even with all that star power it is Carly Rae Jepsen who shines as Odette.
Kate McKinnon plays three different characters, the best of which is the villainous stage mom Regine Le Haut, whose overdramatic style gives McKinnon a chance to take her acting deliciously over the top. Mel Brooks has a bit role as the orphanages headmaster Laurent, but in true Brooks fashion he still contributes some of the funniest comedy to the film. But once she is at the school, the inexperienced Felicie learns that dancing is not as easy as it looks and it will take dedication, spirit, and passion to become a ballerina.įor the American release of the film they made some changes to the voice cast, the most significant one being Nat Wolff replacing Daan DeHaan as Victor. Desperate to attend the dance school, Felicie steals another girl’s invitation and Odette, a onetime dancer herself, takes on the task of helping her train. Felicie promises to help clean the giant mansion where Odette also works, and the woman takes her into her home. Within minutes of their arrival the two are separated, but Felicie somehow finds her way to the gorgeous building that houses the Paris Opera Ballet and its school.Īfter a run in with the guard Felicie is almost sent to the police, but the caretaker, Odette ( Carly Rae Jepsen), rescues her before he can send her away. After hundreds of attempts she and her best friend Victor ( Nat Wolff), an aspiring inventor, finally escape their orphanage and make their way to the City of Light.
Felicie ( Elle Fanning) is an orphan from rural France who dreams of one day being a great ballerina at the Paris Opera Ballet. Leap! is a French-Canadian children’s film that focuses on one girl’s journey to become a ballerina in 1870s Paris.
0 kommentar(er)
